Best Speakers for Video Editing in 2020

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  • This article has been fact-checked for accuracy.

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Thinking about buying new equipment for your editing suite? Want to get the best audio quality in your editing? You need to invest in the best speakers for video editing to up your editing game.

Thanks to high-quality speakers, you can also make sure that the sounds in the video editing project you are working on are reproduced as intended for the audience.

If you want to mix audio accurately and ensure that the end product is of high quality and sounds pleasant to the ear, then you need to buy quality speakers for video editing.

With tons of good products available in the market, it may get pretty hard to choose one that suits your needs and requirements. To make your buying process easy and smooth, we are here to help. 

With the help of our compact yet comprehensive buying guide, you will learn what things to look for and what factors to consider before you buy the best studio monitors.

After thorough research, we have also provided you with honest reviews of the top best speakers for video editing. Give them a read and buy the one which tickles your fancy!

Before we begin, if you’re looking for a audio production PC to use your speakers with, we’ve got that covered as well.

Also Read: – Best Music Production PC

Without further ado, let’s get started!

Guidelines for Choosing the Best Speakers for Video Editing 

Video editing is a tedious and challenging process, and you need to give your best to ensure that the result is perfect. With the advent of technology, things have gotten much easier. 

One of the blessings of technology is speakers for video editing. If you want your sound mixing to be accurate, they are going to come handy. 

Still hankering for knowledge? Give our buying guide a look to learn more about the top speakers for video editing, and it may work for you!

1. Size

The first thing that you need to consider is the size of the studio monitors. This solely depends on the space of your edit suite and your budget. There are various sizes in the market, each suitable for a different purpose. 

If you have a small home setup, then a 3-inch to 7-inch speaker will be good enough. A 7-inch speaker will remove the need for buying a separate subwoofer. However, it will have a larger footprint.

2. Active vs. Passive Speakers

When you begin to look for the top speakers for video editing, you will probably find the words active & passive thrown around quite a bit. What do these two terms mean? 

It’s more straightforward than it seems, as it all comes down to the way of powering up the speakers. 

If the speakers need to be plugged in a wall and don’t require an external amp, they are active. If they don’t have AC plugs and are connected to an amp or receiver with the help of speaker wires, they are passive speakers.

Active speakers are also becoming very popular these days. They have in-built power amplifiers. There are two amplifiers inside them. One is for the woofer, and the other one works with the tweeter. 

Passive speakers need an external amplifier. An exemplary sound system with speakers for video editing ordinarily comprises the media players connected with a power amp/receiver, which is connected to the stereo speakers. 

If you are playing your media from a laptop or PC, you wouldn’t need a full receiver. A simple stereo amplifier would be good enough to power your studio monitors.

3. Listening configuration

There are three listening configurations:

  • Near
  • Mid
  • Far

The near-field configuration is perfect for close listening distance. Near field speakers are also great for studio applications since they allow you to hear the sound directly coming from the speaker. 

The far-field design is optimized to carry sound over a more significant distance. 

4. Frequency Range

The frequency response of the speaker matters a lot. It tells you which frequencies your speaker can reproduce accurately. 

If you are editing a video and the sound is lower or higher than the speaker’s range, you may get a distorted sound. The average human frequency range is 20Hz-20Khz. 

You should buy speakers that fall within this range to have the best video editing experience.

5. Impedance and Wattage

You may be a bit confused with the various specs of speakers like the impedance, wattage & sensitivity figures. 

Don’t worry! We are here to help you understand what these specs are and how they affect your sound quality.

6. Wattage

You need to look at the wattage of the speakers before you buy them. Active speakers are internally matched with amps as far as wattage is concerned. So you don’t have to worry about them. 

But when it comes to passive speakers, you also have to know the wattage so that you can match them perfectly with an external amplifier. 

Check the range of watts per channel of the monitors and get an amplifier that has a wattage in the same range.

It is as simple as that! If you buy an amplifier that is too powerful for your speakers, then the optimum level of volume on the amplifier dial may need to be reduced.

Also, you will find that if you turn the volume above a specific limit, the sound will become flabby and distorted. 

If you keep playing the speakers like this, the drivers could even get blown. If your amplifier is under-powered as compared to your speakers, which too will be problematic. 

The amp would struggle to deliver the required wattage, and if you push it more, it may just go… boom!

7. Impedance

You also need to focus on the Impedance of the audio monitors. You’d have to ensure that your A/V receiver or amplifier has an equivalent impedance or a lower impedance as compared to the Impedance of your speakers. 

This is a good place to tell you that the amplifiers use their maximum capacity wattage at the lowest Impedance. It may sound like a complicated math lesson; however, it is a pretty simple rule. 

For example, if an amplifier has a wattage of 100 watts and the Impedance is 4 ohms, at 8 ohms, it would deliver only half of the wattage, i.e., 50 watts.

8. Sensitivity

Sensitivity tells us how loud the speaker can be at a particular volume. We measure sensitivity in decibels. It is a decent method for finding out the volume which can be delivered by the speakers.

A speaker that has low sensitivity may struggle to be effective when used in large rooms, while one with higher sensitivity would be loud enough to fill a large edit suite with sound.

9. Personal Preference

Another factor that you also ought to consider is your personal preference. For instance, would you say you want audio monitors that look aesthetic, or is the sound quality way more important than looks to you? 

What are your views about the tonal coloration due to amplifiers? Would you want an unadulterated, clear listening experience without amps, or do you want amps to furnish some color?

Top 7 Best Speakers for Video Editing in 2020

1. Fostex PM0.5D-B 5-Inch Studio Monitor

Fostex PM0.5D-B 5-Inch Studio Monitor

Fostex PM0.5 for video editing is perfect for use in near-field monitoring applications. Both speakers come with two high quality digital amplifiers of 23W (High frequency) and 35W (Low frequency).

These amplifiers have a 5″ fiberglass cone woofer and a 0.75″ silk-dome tweeter. Also, you get a combination of RCA input and XLR ¼” input. It is an active studio monitor.

These speakers have magnetically shielded enclosures that allow them to be placed near a video monitor without causing any interference in the sound.


  • Fiberglass Cone Woofer
  • ¾ inches silk dome tweeter
  • High-Efficiency Amplifier
  • 2 Inputs
  • Energy Efficient


  • Expensive

2. JBL Professional 306P MkII Studio Monitor

JBL Professional 306P MkII Studio Monitor

This studio monitor not only looks sleek and elegant, but it also comes with a new boundary EQ and hi-tech JBL transducers. They are powered speakers with a size of 6″.

The new design improvements in the LF and HF transducers provide optimized damping. This gives an impressive bass and superior transient frequency response.

With this product, you can say goodbye to harmonic distortion! The neutral frequency response of the speakers over a large area gives you the ability to fine-tune your video and audio mix even when you are listening off-axis.

You get 2 balanced inputs, ¼” TRS input, and an XLR input.The input sensitivity of the audio monitors is +4dBu /-10dBV, providing you with high-quality sound.

They are affordable, so you can buy them even if you are on a budget.


  • Sleek new design
  • Updated Transducers
  • New Boundary EQ
  • Large sweet spot
  • Flexible connectivity


  • Audio monitors produce a hissing sound when they’re powered on

3. PreSonus Eris E3.5-3.5″ Studio Monitor

PreSonus Eris E3.5-3.5

The PreSonus Eris speaker for computer has an accurate and smooth frequency response and delivers good sound quality. Compact and lightweight, you can easily place them anywhere.

They come with 3.5″ woven low-frequency response composite drivers. You get a cleaner overall sound with the high-quality woofers.

The 1-inch tweeter gives you a refined and smooth sound, reproducing high frequencies and transients accurately.

The tweeter is designed in such a way that it radiates sound in a wide dispersion pattern, thus creating a wide optimal listening area – this a near-field speaker.


  • Industrial Design Audio Monitors
  • Output Current Limiting
  • Protection against overheating
  • 3.5″ Composite drivers
  • Pristine Sound Quality
  • Balanced RCA and TRS inputs


  • Not wireless

4. Pioneer DM 40 Studio Monitor

Pioneer DM 40 Studio Monitor

DM40 is a compact desktop studio monitor that increases the level of excellence of your video editing setup. With a front-loaded bass reflex, you get high quality, rich bass.

The DECO technology, all rights reserved, provides the speakers with a wider reach. The 4″ fiberglass woofers are the cherry on the top.

The ¾ inch soft dome tweeters come with convex diffusers that can efficiently channel high-frequency sound in every direction.

The speakers come with Class AB amplifiers that provide crisp and clear sound, with little to no distortion. The woofer and the tweeter are correctly aligned, which eliminates crossover.


  • Smart Design
  • Easy to use
  • DECO technology
  • Front-loaded bass
  • Clear Sound


  • Not meant for use in a large room

5. M-Audio BX5 D3 Studio Monitor

M-Audio BX5 D3 Studio Monitor

These speakers come with Class AB amplifiers that give you studio-grade, accurate, and cohesive sound. The frequency range of 52Hz-35KHz is wide enough to cover the entire music spectrum.

The 5 inch LF drivers with Kevlar cones along with the 1-inch HF drivers with silk domes make the BX5 D3 a good choice.

The special acoustic space control allows you to adjust the sound output precisely according to your studio space.

The rear-mounted ¼ inch balanced inputs and XLR help connect the speaker with all kinds of studio equipment.

With its low distortion capabilities and flat frequency response, the speaker has a wide sweet spot.


  • Class AB amplifiers
  • Balanced inputs
  • Extended Low-frequency response
  • Reduced acoustic distortion


  • Tends to get hot if used for too long

6. KRK RP5 Rokit 5 Audio Monitors

KRK RP5 Rokit 5 Audio Monitors

KRK RP5 is a professional grade studio monitor with 5-inch woofer and 1-inch tweeter. There is a built-in Class D power amplifier that helps it work and perform better.

The matching Kevlar drivers minimize listening fatigue and ensure sonic integrity across all frequencies.

You get 25 visual graphic EQ settings along with DSP-driven room tuning. The monitor works with the KRK App setup as well that will make it easy for you to control the setup.

The class D amplifier improves audio integrity and drives the speakers evenly. The speakers come with a built-in brick wall limiter.

Thanks to the low resonance enclosure, distortion and colorization are minimized.


  • Bi-amp studio monitor
  • 5-inch woofer
  • Works with KRK app
  • Built-in brick wall limiter
  • High-density Iso-foam pad


  • None

7. Earthquake Sound MPower Series Monitors

Earthquake Sound MPower Series Monitors

These studio monitors are available in two sizes; a 6.5″ model and an 8″ model. With their deep black matte finish, they add to the aesthetics of your studio.

It comes with balanced ¼” TRS input, XLR input, and an RCA input. You can control the sensitivity of the speaker with the help of the volume control knob. The maximum setting is +6dB.

These active monitors studio come with ultra-fast ribbon tweeters and Aramid glass fiber woofers. The sound is very detailed, well-balanced neutral.


  • 2-way Active Speakers
  • Ultra-fast ribbon tweeter
  • Aramid glass fiber woofer
  • RCA, TRS, and XLR inputs


  • Not remote controlled


After reading the reviews of our top 7 best speakers for video editing, you will have learned and understood several things about them. If you understand how the studio monitors work, it will be easier for you to choose the perfect product. 

There are several other good audio monitors available in the market, such as Yamaha HS5, that make video editing easy. Thanks to our buying guide, you will be able to choose between good audio monitors.

Keep an eye on your budget, and also compare the features of the audio monitors with your requirements.

Also, these speakers would work great when mixing audio for a podcast! If you’re interested in using these for your podcasting setup, check out our complete guide here where we dive deep into everything you need to know about the best podcasting equipment.

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